BESTIARIO
ILLUSTRATO DEI VITIGNI D'ITALIA
Bestiario illustrato dei vitigni d’Italia (Illustrated Bestiary of Italian Grape Varieties) began as a research experiment in university classrooms, but found its form in publishing as a poetic dialogue between words and images.
Page after page, research on grape variety names, their animal references and their roots in Italian agricultural landscapes becomes a story about biodiversity as a cultural phenomenon, even before a botanical one.
Each drawing, sketched freehand with a simple ballpoint pen, becomes a verbal form: a figurative writing that translates biodiversity into gesture, which does not illustrate the text but continues it, relaunches it, makes it resonate. Text and image evolve together and show how the linguistic links that unite animal and plant species can also be reconstructed visually, bringing the rationality of agricultural science into dialogue with the fertile irrationality of artistic invention.



The project
Through twenty-four native Italian grape varieties – from Baratuciat al Susumaniello, dalla Coda di Volpe alla Vespaiola – the volume reconstructs a landscape that never separates the vine from the natural and cultural world that surrounds it. It is an alphabetical journey that, instead of following geographical or disciplinary boundaries, crosses imaginary and symbolic territories, restoring the complexity of the relationships between man, environment and language. The choice of encyclopaedic order thus becomes a statement of method: here, wine is not only a product, but a story, a memory, a relationship.
The result is a sensory and conceptual atlas, in which the word “autochthonous” returns to its fullest meaning – “born of the same land” – and expands to encompass the link between grape variety and community, between vineyard and landscape, between names and stories handed down through the generations. The observation of bunches of grapes that resemble tails, paws, plumage or insects is not folklore: it is the way in which peasant cultures have kept alive, for centuries, a pact with nature.
A book that combines rigour and imagination, scientific rigour and artistic sensitivity, to remind us – as the authors write – that dreams come before measurements and that naming things is the first way to take care of them.
Printed on high-quality paper and designed by Studio Forward, the volume is at once an essay, a map and a visual object: a celebration of the vine, its names and the landscapes that generated them.
AUTHORS
Emanuele Baistrocchi
Italian designer and visual artist. Experimentation with new media and expressive languages is at the heart of his practice, which ranges from comics to drawing, using various techniques from oil painting to ballpoint pens. He is the author of the drawings in the book.
Ettore Capri
Director of the European Observatory for Sustainable Agriculture (Opera research centre) at the Catholic University of the Sacred Heart, conducts research into the sustainable management of agri-food supply chains and the development of interdisciplinary practices and methodologies.
Camilla Farolfi
Agronomist and holds a PhD in AgriSystem from the Catholic University of the Sacred Heart, with a focus on the sustainability of supply chains, particularly in the olive sector. She is involved in applied research and projects related to agriculture.
Illustrated bestiary of Italian grape varieties will be available online from 15 November 2025
Printed and published in November 2025.